IllustWriter Bosch Fawstin (website here) is a pioneer of sorts in the field of digital counter-culture literature. He's published anti-establishment artwork on the internet for years, well before the proliferation of ebooks. Much of his work uses sophisticated cartoons to express skepticism of or mock government, politicians and current events. After the terrorist attacks of September 11, 2001, Islam was increasingly a target of Bosch's creative talents.
In February 2011, Bosch released Chapter 1 of his much anticipated graphic novel serial The Infidel #1. He followed that up with the Infidel #2 in June 2012. The series has received praise from readers and influential pundits such as Robert Spencer and David Horowitz.The Infidel chronicles conflict between twin brothers born and raised Muslim. The terrorist attacks of September 11, 2001 cause a seismic rift between the brothers, sending each on divergent paths. One brother submits to Islam. The other brother (Killian) responds by creating a counter-jihad superhero called PIGMAN who battles fictitious jihadists. Pigman, and Killian's brash promotion of the character, is the vehicle used by Bosch to progress the underlying story of conflict between the two brothers.
Each chapter switches viewpoints between Killian and that of his comic book creation Pigman. Pigman is like a throw back to the 1930s and 40s when comic book heroes fought Axis Power fascists in the name of freedom. The reader will get some satisfaction watching Pigman do "terrible things to those who had a good day on 9/11" as Bosch promises early in the Infidel #1. However, in 21st century America, Pigman receives his fair share of criticism and scorn due to his overtly critical view of Islam.
As with any graphic novel, writing a good story and creating solid characters is only half the work. The artwork is just as important, if not more so. On this metric, Bosch succeeds. Any fan of Frank Miller will notice Miller's influences throughout The Infidel (not to mention Bosch's other artwork on his website).

Publications that tackle controversial topics are sure to garner criticism, and the Infidel is no different. In the Infidel's case, that critique is that the novel fails to tell a positive story of Islam. As if it is Bosch's job to present an upstanding Westernized Muslim that the left struggles to find for every jihadist lopping off a non-Muslim's head. It's the shades of grey fixation that dominates our culture today, presenting villains in sympathetic lights. "Balance," to use the parlance of our times. Of course this usually only applies in one direction - to creative works that fall along the the center-right paradigm. So Islam can only be viewed critically with balance, yet the businessman maintains his position as a standard villain in movies and novels.
Grey has its place in literature and popular culture, but it's not a necessary box to check for a story to be worthy. Sometimes though it's not even needed or there's sufficient grey in the mainstream that black and white story telling on an issue is welcomed. Bosch's overtly critical view of Islam is actually refreshing while the critique of lack of balance is boring.
One legitimate concern is whether Bosch's story has enough cross-over appeal to attract so called "low information voters." They're the ones who get their news from entertainment programs like the Daily Show or talk shows and who are pre-disposed to having sympathy for Islam since that feeling dominates the entertainment industry and zeitgeist of the intellectual elite. If The Infidel does not have that sort of cross-over appeal, then it risks failing to have a meaningful impact on influencing public perception of Islam, which a reader gathers is Bosch's primary intent behind the work. Overt, aggressive political themes can repel these types of readers.
Stop by Bosch's website and at least check out his artwork. While you're there, I recommend picking up copies of both chapters of The Infidel to read on your tablet or computer. Both are entertaining and you'll be supporting a talented artist, storyteller and political commentator all at the same time. The Infidel #1 is available here for download and the Infidel #2 is available here for download (both $3).
Allen Mitchum is the author of the political thriller 28 Pages involving a shocking Saudi conspiracy against the United States concealed in the 9/11 Commission Report. Please visit the author's website at www.allenmitchum.com.








